The acclaimed Only Murders in the Building quickly caught the attention of both critics and fans with its quirky, playful tone, tightly written scripts, and effervescent chemistry between the leads. The same sensibilities are seen all throughout composer Siddhartha Khosla’s memorable score.

Khosla envisioned the show having an orchestral soundtrack, but the limitations of a television budget meant that it needed a resourceful approach. Rather than viewing that limitation as a hindrance, Mark stepped in to help Khosla turn it into a creative opportunity.

Mark explains, “If you use the small resources, and you’re smart about it, and you have the right people to play—which is a key component—you can get a lot of very good results with a small group.”